A shtetl (Yiddish: שטעטל, shtetl, singular; שטעטלעך, shtetlekh, plural) was a small town with a large Jewish population which existed in Central and Eastern Europe before the Holocaust. Shtetlekh were mainly found in the areas that constituted the 19th century Pale of Settlement in the Russian Empire as well as in Congress Poland, Austrian Galicia, Romania and Hungary.
In Yiddish, a larger city, like לעמבערג (Lemberg i.e. Lviv) or טשערנאוויץ (Tchernovitz i.e. Chernivtsi), is called a shtot (Yiddish: שטאָט, German: Stadt); a village is called a dorf (Yiddish: דאָרף German: Dorf). Shtetl is a diminutive of shtot with the meaning "little town". In official parlance the shtetl was referred to as a "Jewish miasteczko", a type of settlement which originated in the former Polish–Lithuanian Commonwealth.
A shtetl is defined by Yohanan Petrovsky-Shtern as "an East European market town in private possession of a Polish magnate, inhabited mostly but not exclusively by Jews" and from the 1790s onward and until 1915 shtetls were also "subject to Russian bureaucracy", as the Russian Empire had annexed eastern part of Poland, and was administering the area of Jewish settlement. The concept of shtetl culture describes the traditional way of life of Central and East European Jews. Shtetls are portrayed as pious communities following Orthodox Judaism, socially stable and unchanging despite outside influence or attacks.
The decline of the shtetl started from about the 1840s. Contributing factors included poverty as a result of changes in economic climate (including industrialisation which hurt the traditional Jewish artisan and the movement of trade to the larger towns), repeated fires destroying the wooden homes, and overpopulation. Also, the anti-Semitism of the Russian Imperial administrators and the Polish landlords, and later, from the 1880s, Russian pogroms, made life difficult for Jews in the shtetl. From the 1880s until 1915 up to 2 million Jews left Eastern Europe. At the time about three quarters of its Jewish population lived in a shtetl. The Holocaust resulted in the total extermination of shtetls. It was not uncommon for the entire Jewish population of a shtetl to be rounded up and murdered in a nearby forest or taken to the various concentration camps. Some shtetl inhabitants did emigrate before and after the Holocaust, mostly to the United States, where some of the traditions were carried on. But, the shtetl as a phenomenon of Ashkenazi Jews in Eastern Europe was eradicated by the Nazis.
The history of the oldest Eastern European shtetls began around the 13th century and saw long periods of relative tolerance and prosperity as well as times of extreme poverty, hardships, including pogroms in the 19th-century Russian Empire.
The attitudes and thought habits characteristic of the learning tradition are as evident in the street and market place as the yeshiva. The popular picture of the Jew in Eastern Europe, held by Jew and Gentile alike, is true to the Talmudic tradition. The picture includes the tendency to examine, analyze and re-analyze, to seek meanings behind meanings and for implications and secondary consequences. It includes also a dependence on deductive logic as a basis for practical conclusions and actions. In life, as in the Torah, it is assumed that everything has deeper and secondary meanings, which must be probed. All subjects have implications and ramifications. Moreover, the person who makes a statement must have a reason, and this too must be probed. Often a comment will evoke an answer to the assumed reason behind it or to the meaning believed to lie beneath it, or to the remote consequences to which it leads. The process that produces such a response—often with lightning speed—is a modest reproduction of the pilpul process.
The May Laws introduced by Tsar Alexander III of Russia in 1882 banned Jews from rural areas and towns of fewer than ten thousand people. In the 20th century revolutions, civil wars, industrialisation and the Holocaust destroyed traditional shtetl existence.
In the later part of the 20th century, Hasidic Jews founded new communities in the United States, such as Kiryas Joel and New Square, and they often use the term "shtetl" to refer to these enclaves when referring to them in Yiddish, particularly those with village structures.[clarification needed]
As well in modern Europe the last shtetl is considered by some to be the Ultra-Orthodox community in Antwerp, Belgium.
Not only did the Jews of the shtetl speak a unique language (Yiddish), but they also had a unique rhetorical style, rooted in traditions of Talmudic learning:
In keeping with his own conception of contradictory reality, the man of the shtetl is noted both for volubility and for laconic, allusive speech. Both pictures are true, and both are characteristic of the yeshiva as well as the market places. When the scholar converses with his intellectual peers, incomplete sentences, a hint, a gesture, may replace a whole paragraph. The listener is expected to understand the full meaning on the basis of a word or even a sound... Such a conversation, prolonged and animated, may be as incomprehensible to the uninitiated as if the excited discussants were talking in tongues. The same verbal economy may be found in domestic or business circles.
Shtetls provided a strong sense of community due to Jews carrying faith in God. The shtetl “at its heart, it was a community of faith built upon a deeply rooted religious culture.” A Jewish education was most paramount in shtetls. Men and boys would spend up to 10 hours a day dedicated to studying at yeshivas. Discouraged from extensive study, women would perform the necessary tasks of a household. In addition, shtetls offered communal institutions such as temples (synagogues), ritual baths and ritual butchers.
On three things the world stands. On Torah, On service [of God], And on acts of human kindness.
Tzedaka (charity) is a key element of Jewish culture, both secular and religious, to this day. Tzedaka was essential for shtetl Jews, many of whom lived in poverty. Acts of philanthropy aided social institutions such as schools and orphanages. Jews viewed giving charity as an opportunity to do a good deed (mitzvah).
Material things were neither disdained nor extremely praised in the shtetl. Learning and education were the ultimate measures of worth in the eyes of the community, while money was secondary to status. Menial labor was generally looked down upon as prost, or prole. Even the poorer classes in the shtetl tended to work in jobs that required the use of skills, such as shoe-making or tailoring of clothes. The shtetl had a consistent work ethic which valued hard work and frowned upon laziness. Studying, of course, was considered the most valuable and hardest work of all. Learned yeshiva men who did not provide bread and relied on their wives for money were not frowned upon but praised as ideal Jews.
There is a belief found in historical and literary writings that the shtetl disintegrated before it was destroyed during World War II; however, this alleged cultural break-up is never clearly defined.[who?]
The Shtetl was "invented twice, once in the 18th century by administrative decree, which gave it corporeal being, and again the 20th century, to serve as a consolation to American Jews." Chełm figures prominently in the Jewish humor as the legendary town of fools. Kasrilevke, the setting of many of Sholem Aleichem's stories, and Anatevka, the setting of the musical Fiddler on the Roof (based on other stories of Sholem Aleichem) are other notable fictional shtetls.
Many of Isaac Bashevis Singer's short stories and novels are set in shtetls. Singer's mother was the daughter of the rabbi of Biłgoraj, a town in south-eastern Poland. As a child, Singer lived in Biłgoraj for periods with his family, and he wrote that life in the small town made a deep impression on him.
The 1992 children's book Something from Nothing, written and illustrated by Phoebe Gilman, is an adaptation of a traditional Jewish folk tale set in a fictional shtetl.
Harry Turtledove's 2011 short story "Shtetl Days", which can be read on-line, begins in a typical shtetl reminiscent of the works of Alecheim, Roth, et al., but soon reveals a plot twist which subverts the genre.
Many Jewish artists in Central and Eastern Europe dedicated much of their artistic careers to depictions of the shtetl. These include Marc Chagall, Chaim Goldberg, and Mane Katz. Their contribution is in making a permanent record in color of the life that is described in literature—the klezmers, the weddings, the marketplaces and the religious aspects of the culture.
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